ATProto Browser

ATProto Browser

Experimental browser for the Atmosphere

Post

www.newyorker.com/culture/the-...

Apr 1, 2025, 12:02 PM

Record data

{
  "uri": "at://did:plc:7xpeetuloioym7mo2vdsuc3m/app.bsky.feed.post/3llqtcnv74s2d",
  "cid": "bafyreidsgo2xmlvbn5ni4bpfv5zxagcsonrdmesojal3nowd4j7gb2b27m",
  "value": {
    "text": "www.newyorker.com/culture/the-...",
    "$type": "app.bsky.feed.post",
    "embed": {
      "$type": "app.bsky.embed.external",
      "external": {
        "uri": "https://www.newyorker.com/culture/the-front-row/the-cinematic-glories-of-manoel-de-oliveiras-endless-youth",
        "thumb": {
          "$type": "blob",
          "ref": {
            "$link": "bafkreif64vfigs3o7frgvoyja3kkh26cdidru5nnnqmrtrunl27xcha6ei"
          },
          "mimeType": "image/jpeg",
          "size": 459167
        },
        "title": "The Cinematic Glories of Manoel de Oliveira’s Endless Youth",
        "description": "The Portuguese director, who made twenty-two features after the age of eighty, rejuvenated the art of movies by linking personal experience to the arc of history."
      }
    },
    "langs": [
      "ca"
    ],
    "facets": [
      {
        "index": {
          "byteEnd": 33,
          "byteStart": 0
        },
        "features": [
          {
            "uri": "https://www.newyorker.com/culture/the-front-row/the-cinematic-glories-of-manoel-de-oliveiras-endless-youth",
            "$type": "app.bsky.richtext.facet#link"
          }
        ]
      }
    ],
    "createdAt": "2025-04-01T12:02:57.063Z"
  }
}